Downkill has sympathized with electronic dance music since the beginning, when he had no idea that his remix under this name was going to appear down under. However, it was a long way which led to this point.

At first, Leel-Ossy András got to know the world of dance music as a consumer – he bought and listened to it as much as he could. He arrived to techno which was a dominant phenomenon in his taste and his work. This period brought the feeling of creating his own music which proved to be a hobby for a long time, but now it is a passion for him. Of course, he has always known secretly that his music will reach the audience one day. And finally, the long awaited moment arrived, and this proved him that it was worth dealing with the organization of sound frequencies.

His remix was published which became the winner at the V-Sag remix contest on Fiberline Audio. After the initial techno fever and the wondering between different styles, he arrived at his mature dk style which can be immediately heard in any of his productions. Between the artists of Toes In The Sand Recordings he published the prosperous Ready Cat, and Ready Cat Remixed EP, which were supported by D-Fuse, Guillaume Nyckees, The Last Atlant, Dean Facer, Perry O'Neil, Blue Room Project, Luis Diaz, Pablo Roma, Deviant, and nearly the whole Balance crew…

His technical development is due to a plenty of practice and the learning of his profession. As a sound engineer new dimensions opened, he could prove his technical side beside the artistic one. His calling to music led him to the DJ booth where he moves comfortably today. He performed at Budapest Parade beside some bigger and smaller clubs as well, he also appeared in some foreign countries. His own tracks and the tracks of his project The Scrubz – written together with Soundsmith – were published at several labels, and they are part of party life all around the world.